London Art Fair.
Now in its 28th year, the London Art Fair is once again attracting buyers and collectors, creatives and artists like bees to a honey pot. Housed this year in Islington’s Business Design Centre from January 20th-24th, the fair is a three floored exhibition of everything from fine art to sculpture, with all pieces available to buy. If you happen to have a spare few hundred thousand pounds you may be able to come away with a few originals for the living room wall – after all, when a painting is only half the price of a one bed flat in the city, it’s a bargain, right?
Wandering around the fair last Wednesday evening, glass of Prosecco in hand, I felt pretty sophisticated. The great thing about the London Art Fair, even for an admittedly ‘not-so-au-fait-with-art’ kind of person, is the huge variety of artists and work on display – there really is something for everyone. Original Warhols stood alongside quirky crocheted works; Barbara Hepworth pieces were displayed opposite the witty work of Grayson Perry. Multimedia pieces were the flavour of the moment; a particular favourite was of a woman whose hair had been replaced by a multi-coloured collage-effect of people, flowers and even buildings.
Some of the pieces I was ever–so-properly-artistically-analysing admittedly made me think ‘I could have done that’: there was also, though, a great deal there that I under no circumstance could have even contemplated creating. One sculpture that stood out was created using perfume bottles imitating the classic Chanel No 5; replacing the brand name, however, were words that revealed the darker side of the beauty industry. Instead of Chanel, the bottles read ‘depression’, ‘solitude’, ‘help’ and ‘melancolie’ (sic). – this is what I’d call perceptive and thought-provoking modern art, and there was a lot on offer in this vein.
Essentially, the London Art Fair is a mini-showcase from a lot of galleries; some of which have obvious niches and specialisms, and others that seem to take the ‘I’ll have a bit of everything’ approach – a buffet collector if you will. If money was no object, I’m pretty sure I’d take that approach: on a single lap around the fair I could pick out at least 5 works of art I wouldn’t mind having, all different, all completely clashing, but each one particularly appealing for some unknown reason. That is the beauty of the London Art Fair: despite these paintings being on sale, you are under no obligation to part with a penny once there. It’s like being inside a very big if a little pretentious art shop without the awkwardness. So if you want to be overwhelmed by a completely huge, at times incredible, at times confusing, exhibition of art, this is the place for you.
NB: Alongside those paintings that I could have done myself were a couple that I could have done myself WHEN I WAS FIVE.
The London Art Fair is open from 20-24 January 2016
Written by our people, inspired by art.